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November 28, 2006
The Royal Theatre Spotlight
Toronto Star

A refreshed Royal Cinema to reopen on College St.
- first film Monkey Warfare

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July 29, 2006
Theatre D Digital
Toronto Star

A community group struggling to resuscitate its defunct neighbourhood theatre, the Revue Cinema, has been given an extended deadline to come up with an opening offer after owners sold one of its other movie houses earlier this month.

By ROBYN DOOLITTLE

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July 28, 2006
Theatre D Digital
Globe and Mail

After months of theatre closings and speculation that repertory cinemas in Toronto are doomed, some good news for a change: The Royal Theatre, a College Street landmark, has been sold for $2.2-million to a company set on keeping the projector running -- with a modern twist.

The buyer is Theatre D Digital, a Toronto-based postproduction film company that plans to restore the theatre's rickety red velvet seats and ornate moulding to their original charm. It will be used as a state-of-the-art production studio by day and movie theatre by night.

By HAYLEY MICK

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July, 2006
Theatre D Digital
Now Magazine

When news broke several weeks ago that four of Toronto's Festival Cinemas movie houses would
be closing down on June 30, the situation looked most hopeless for the Royal on College Street.

By SCOTT MACDONALD

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January 22, 2005
The Double Life of the Regent
The Globe and Mail

To most, the repertory theatre on Mount Pleasant is a good place to watch a movie. For filmmakers such as Atom Egoyan, it's the place to edit one.

By Guy Dixon

+ full article October 26, 2004
Cowboys and Indians nominated for 6 Gemini awards!
Theatre D Digital

Theatre D Digital is proud to announce that “Cowboys and Indians: The Killing of J.J. Harper” has been nominated for 6 Gemini Awards including Best Sound in a Dramatic Program.

Congratulations to all the nominees!

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January 19, 2004
Love, Sex, and posting at Theatre D
PLAYBACK Magazine

by James Careless (page 14)

In an ideal world, all feature films would be posted in actual movie theatres, complete with access to big screens and Dolby Digital 5.1 sound. Fortunately for Toronto director Sudz Sutherland, he was able to do precisely that with his debut feature Love, Sex and Eating the Bones.

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